reviewing the book along with [[📜👾_Vany04_hollywood_econ]]
and to answer what measures can be taken from both agent and institutional perspective to prevent privilege dynamics (e.g. durable dominance)
| No. | Idea | Catchphrase | Key Summary |
| --- | -------------------------- | --------------------------- | ------------------------------------------------------------------------------------ |
| 1 | Magic Lanterns | | |
| 2 | Persistence of Vision | | |
| 3 | The Kinetoscope | | |
| 4 | The Cinématographe | | |
| 5 | Projection | | |
| 6 | Trick Films | | |
| 7 | Close-ups | | |
| 8 | Optical Transitions | | |
| 9 | Point-of-View Shots | | |
| 10 | Tracking Shots | | |
| 11 | Chase Sequences | | |
| 12 | Continuity Editing | | |
| 13 | Match Shots | | |
| 14 | Nickelodeons | | |
| 15 | Film D'Art | | |
| 16 | Feature Films | | |
| 17 | Dream Palaces | | |
| 18 | Shooting Scripts | | |
| 19 | In-Camera Effects | | |
| 20 | Serials | | |
| 21 | Slapstick | | |
| 22 | Stunts | | |
| 23 | The Star System | Selling the dream | method acting in movie |
| 24 | Hollywood | | |
| 25 | Movie Moguls | | |
| 26 | Block Booking | It's a seller's market | |
| 27 | The Studio System | Art as industry | |
| 28 | Genre | Cinema's universal language | changed due to long tail theory (shelf life increased - how long it'd be on netflix) |
| 29 | Presold Sources | | |
| 30 | Child Stars | | |
| 31 | Fan Magazines | | |
| 32 | The Oscars | | |
| 33 | Monochrome | | |
| 34 | Process Shots | | |
| 35 | Artificial Lighting | | |
| 36 | Expressionism | | |
| 37 | The Narrative Avant-Garde | | |
| 38 | Film Schools | | |
| 39 | Montage | | |
| 40 | Typage | | |
| 41 | Surrealism | | |
| 42 | Experimental Cinema | | |
| 43 | Sound | | |
| 44 | Musical Scores | | |
| 45 | Dubbing | | |
| 46 | Subtitles | | |
| 47 | Newsreels | | |
| 48 | Censorship | | |
| 49 | Propaganda | | |
| 50 | Poetic Realism | | |
| 51 | Studio Realism | | |
| 52 | B Movies | | |
| 53 | Series | | |
| 54 | Shorts | | |
| 55 | Animation | | |
| 56 | Models | | |
| 57 | Neorealism | | |
| 58 | Flashbacks | | |
| 59 | Voice-Over | | |
| 60 | Film Noir | | |
| 61 | The Blacklist | | |
| 62 | Method Acting | | |
| 63 | Television | | |
| 64 | The Academy Ratio | | |
| 65 | Color | | |
| 66 | 3-D | | |
| 67 | Coproduction | | |
| 68 | Epics | | |
| 69 | Exploitation | | |
| 70 | Trailers | | |
| 71 | Safety Film | | |
| 72 | The Cinémathèque Française | | |
| 73 | Cannes | | |
| 74 | Criticism | | |
| 75 | Mise en Scène | | |
| 76 | Offscreen Space | | |
| 77 | Auteur Theory | | |
| 78 | Handheld Camera | | |
| 79 | Cinéma Vérité | | |
| 80 | Free Cinema | | |
| 81 | Third Cinema | | |
| 82 | Zoom | | |
| 83 | Road Movies | | |
| 84 | Blaxploitation | | |
| 85 | Pornography | | |
| 86 | Feminist Film Theory | | |
| 87 | Blockbusters | | |
| 88 | Effects Makeup | | |
| 89 | Kidpics | | |
| 90 | Teenpics | | |
| 91 | Sequels | | |
| 92 | Remakes | | |
| 93 | Multiplexes | | |
| 94 | Video | | |
| 95 | Home Entertainment | | |
| 96 | US Independent Cinema | | |
| 97 | Queer Cinema | | |
| 98 | Heritage Films | | |
| 99 | Digital Video | | |
| 100 | Computer-Generated Imagery | | |